THE role of a British man in the ritual suicide of the famed Japanese
author Yukio Mishima is to be revealed in a film destined to awaken
old ghosts in Japan.
The script, which is with several big studios, discloses that
Henry Scott Stokes, then Tokyo bureau chief of The Times, knew of
Mishima’s intention to kill himself but did nothing to stop him.
“That is the burden I carry and it’s something I’m still
struggling with,” said Scott Stokes, now 66, who was the closest
foreign confidant of Mishima and had been on holiday with the writer,
his wife and their two children.
Mishima’s death by hara-kiri in 1970, after a failed coup
against the nation’s post-war democracy, was a sensational act of
extremism that still haunts Japan.
The script has excited interest in Hollywood after the
unexpected success of Sofia Coppola’s Lost in Translation and of the
novel Memoirs of a Geisha, which has been adapted for a forthcoming
film.
Mark Devlin, the scriptwriter of The Mishima Incident, said the
story is told through western eyes “so that a western audience can
grasp this idea of sacrifice and what it means”.
The script is also being considered by agents for Jude Law,
whom Devlin sees as the ideal actor to play the lead role of an
Englishman plunged into the hedonism and cruelty of Tokyo in the
1960s.
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| Mishima's last letter to Scott Stokes (click to view) |
In the year that marks the 60th anniversary of the end of the
second world war, plans for the film will revive embarrassing memories
of Mishima’s links to nationalist politicians including Shintaro
Ishihara, today the governor of Tokyo.
So well connected was Mishima that as a young man he once
auditioned the present Empress Michiko as a potential bride at a
formal meeting arranged by their parents.
Scott Stokes struck up a friendship with Mishima, then the most
famous writer in Japan, after hearing him talk of seeing a strange
beauty in the the springtime fire-bombings of Tokyo in 1945.
“During world war two, in his teens, he was sitting at home
reading Oscar Wilde,” recalled Scott Stokes. “He’s on the edge of the
city and he looks towards this inferno.”
Mishima had turned out novels, plays and short stories to such
acclaim that his works were translated around the world. He was talked
of as a candidate for a Nobel prize.
But Scott Stokes soon discovered a dark side to his celebrity
friend. The aesthete yearned to be a samurai.
Mishima was obsessed with violence and celebrated the act of
hara-kiri or seppuku, in which the samurai plunges a dagger into his
own stomach and a comrade cuts off his head.
Away from his family, he led a bisexual life in Tokyo’s gay
underworld, trained himself to a peak of physical perfection and set
up a private army to be drilled for a coup d’état.
Scott Stokes was the only foreigner invited to military
exercises by Mishima’s group, the Tatenokai, on the slopes of Mount
Fuji.
He saw that Japanese army officers were present to help their
training. He learnt that Mishima frequently met Ishihara and received
powerful support from the conservative politician Yasuhiro Nakasone,
later prime minister.
But Mishima’s aristocratic background and his exquisite manners
deceived all such admirers as to his true intentions.
“For the last 2½ years of his life I knew he was on the edge,”
said Scott Stokes. “I knew that, because he wrote to me saying that
suicide — he was advised by a friend, whom he named — would be the
solution to his career failure. It was an open secret that he had
crashed out as a novelist.”